Teun Voeten

PYONGYANG DESIGN

 

January 25 - March 12, 2005

 


 

PYONGYANG DESIGN

The Democratic People's Republic of Korea (DPRK), also known as North Korea, remains a black hole to the West. Only a few hundred foreign tourists a year are allowed to visit the country, and they are closely monitored by government agents around the clock. Freedom of movement is non-existent. The "guides" inevitably bring tourists - or journalists posing as tourists - to the monuments, memorials and museums that celebrate the glorious history of North Korea and the wise leadership of the Kim dynasty.

The dark side of the DPRK - the concentration camps, the starvation and poverty, the executions, the medical experiments on prisoners - are only known through the tales of survivors who managed to escape. As of today, no photos or video of these abuses do exist. The hidden North Korea remains invisible.

 

 

 

When photographer Teun Voeten entered the country last year, he decided to focus on the visible. Voeten was struck by the megalomanic architecture, the hideous monuments, the tacky hotel bars, the desolate cityscapes. North Korea is an open air museum of obsolete Communist design and centrally planned overstatements. In sober yet striking color photographs, Voeten has managed to capture the spooky and the surreal in the last country on earth that still dares to call itself "Democratic".

 

This exhibition was made possible with the generous support of the Consulate General of the Netherlands, NY.


Artist Bio

Teun Voeten is an award winning photojournalist and author who has been covering the conflicts in the former Yugoslavia, Rwanda, Sudan, Angola, Sierra Leone, Afghanistan, Colombia, Gaza, Liberia and Iraq. His work has been published in Vanity Fair, Newsweek, The New Yorker, National Geographic among others. Voeten is also a contributing photographer for organizations such as the International Red Cross, Doctors without Borders, Human Rights Watch and the United Nations. In 2004 he published his book How de Body. Hope and Horror in Sierra Leone. Voeten was awarded by the European Commission, Brussels with the Natali award (Human Rights and Journalism) and by John Hopkins University, Washington DC with the Sais-Novartis Award for his work in Sierra Leone. This year American Photography selected him for their yearbook with the Liberia images he took for Vanity Fair. In the Netherlands, he just won the so-called Silver Camera Award in the category "Art and Architecture" with his North Korea images. Voeten lives alternately in Brussels and New York.

www.teunvoeten.com

 

This event was curated by Michelle Jackson

 

Previous exhibitions at The Half King
THE PEOPLE OF PROTEST by PAUL PARK
JUAREZ, CITY OF MISSING WOMEN by TIMOTHY FADEK
CENTRAL AFRICAN REPUBLIC by SPENCER PLATT
EYEBLINK by JAMES WENDELL
CONFESSIONS OF THE PHOTOGRAPHER by JULIA CALFEE
HARVEST by JEFFREY LAMONT BROWN
WAR IN LEBANON by PAOLO PELLEGRIN
IN THE SHADOW OF POWER by KIKE ARNAL
CYCLE OF VIOLENCE by SHAUL SCHWARZ
THE OUTCASTS OF SLOVAKIA by JULIE DENESHA
AFGHANISTAN EMBEDDED by TEUN VOETEN
NEW ORLEANS: WHEN THE LEVEES BROKE by MARIO TAMA
VANISHING GIANTS by JENNIFER HILE
ONE IN A BILLION by DAVID BUTOW
EDGE OF PERFECTION by DAVID BURNETT
MAKASUTU
by JASON FLORIO
PYONGYANG DESIGN by TEUN VOETEN
SUDAN by BEN LOWY
HOMELAND by MICHAEL WILLIAMSON & DALE MAHARIDGE
WATER CULTURE by BRENT STIRTON
AÏNA PHOTOJOURNALISM INSTITUTE OF AFGHANISTAN
CAMBODIA'S LOST BOYZ by TERU KUWAYAMA
WAR ZONES by MIKE KAMBER
LIBERIA BY CHRIS HONDROS
BERLIN BY ESTHER LEVINE
LONGING BY GREG DWYER
CORN BY GREGORY THORP
CAKE & HOTDOGS and WILD WEEKEND WOMEN BY ANDREANNA LYNN SEYMORE
ATHLETES BY SCOTT McDERMOTT
HAVANA PASSAGE BY TARA SGROI
ABOVE AND BELOW THE PAVEMENT BY SERGE J-F LEVY
 

For further information on these exhibits, please go here.